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Leaves The Moorings

Nobody Ever

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Open House: Sunday, April 26 | 1–4 PM, 400 Spring Line Drive,  Naples.

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Exactly what

Milton Link had in mind...

In 1957, Milton Link began acquiring what was then known as the Crayton Tract, starting with 300 acres that would eventually become part of The Moorings. The development ultimately grew to 960 acres. Naples was a very different place then, and Link was imagining a version of waterfront living that really didn't exist yet. 

 

At the heart of it was a wonderfully simple idea. If you're going to live in Naples, why should you have to choose between the beach and the bay? Link's answer was essentially: let's give them both. 

 

The waterways were created and Moorings Bay was reshaped, with Doctors Pass widened and dredged in 1960 to provide the connection to the Gulf that boaters still use today. But Link also reserved 500 feet of beachfront on the Gulf exclusively for residents of The Moorings. So you could live on beautiful protected water behind your home, get on your boat and head toward the Gulf, or go in the other direction and spend the afternoon on your own private stretch of beach. 

 

Nearly seventy years later, it's hard to improve on the idea. And maybe that's the easiest explanation for something you notice about The Moorings today: people don't seem to leave.

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You had me at hello.

There are homes where the view is something you discover after you walk through the house. Here, it finds you the moment you open the front door. In about five seconds, the house somehow manages to feel fresh, open, quaint, homey, modern, bright and colorful all at once. It's beautiful, but it doesn't seem terribly interested in proving that it's beautiful. Your eye just naturally travels through the house, past the pool and palms, and out across a magnificent stretch of Moorings Bay. That's when understated becomes spectacular. And for a moment, there really isn't much to say except:

 

Wow. This is where I want to be.

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But the more interesting thing about this particular home may be how rarely you get the opportunity to have one. Waterfront homes like this in The Moorings just don't come on the market very often. People get here and stay here. And when you begin to understand what Milton Link had in mind when he created The Moorings nearly seventy years ago, it's not very difficult to understand why.

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Maybe that's why

nobody leaves.

Calling it a “private beach” doesn't really describe the experience. You hop in the golf cart, leave the house and a few minutes later arrive at what almost feels like a little park before you even get to the beach. There's private parking, greenery and paths toward the Gulf. The Moorings Property Owners Association maintains the beach park for its members, but what makes it special has less to do with what is technically there than how it feels when you're there.

​

Once you reach the sand, you've left the neighborhood behind, but not completely. The people you see are likely to be your neighbors. If you're feeling neighborly, you stop and talk. If you're not, you find your own quiet spot on the beach. It's a very different experience from packing everything into the car, looking for public parking and heading to a crowded beach. You're on the Gulf, but it still somehow feels like part of home.

​

Sitting there, knowing your house is only a golf-cart ride away, you can understand why people who live here might occasionally think they have landed in the center of a pretty perfect little universe. Naples already has a way of making people feel fortunate to be here. The Moorings takes that feeling and makes it unusually personal.

​

And that's only half of Milton Link's idea.

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The water.

Back at the house, you can go in the opposite direction. Walk outside, get on the boat and head across the calm water toward Doctors Pass. Along the way you pass some of the most beautiful waterfront homes in Naples, and eventually you're headed out toward the Gulf.

​

That's what's so interesting about living here. Beach and bay aren't two amenities you occasionally use. They're both part of everyday life. One morning might mean taking the golf cart down to the beach. Another might mean getting on the boat behind the house. And plenty of days might mean doing neither—just sitting beside the pool looking out across the bay.

​

What Milton Link created would also be extraordinarily difficult to recreate today. The waterways that made this kind of waterfront neighborhood possible were created in a very different regulatory era. Today's protections surrounding mangroves, wetlands and coastal development make the idea of starting over and building another Moorings not possible. Moorings Bay itself was substantially altered as the neighborhood was developed, including the dredging and widening that created the navigable system residents enjoy today.

​

So when people hold onto these homes for a very long time, perhaps part of the reason is that there really isn't another brand-new version of this waiting somewhere down the road. You aren't buying someone's attempt to recreate old Naples. You're living in one of the places that helped create it.

And then there's this particular home.

​

Not every waterfront property in The Moorings looks out over water like this. The house sits at the northeast corner of a magnificent stretch of Moorings Bay, with the back of the property facing almost due south. Sunshine pours across the pool and through the house throughout the day. The backyard slopes gently toward the water, palms frame the view, and as evening arrives the sunset begins unfolding to the west.

​

But the thing that most striking is the scale of what you see. The water is broad, calm and beautiful, and when you first see it through the house, it's difficult to imagine a prettier view in Naples.

​

Perhaps what's most surprising is how little the home itself tries to compete with any of it.

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A rare

and beautiful spot.

Designed to

let the view shine.

The architecture is substantial without being imposing. The craftsmanship is evident without asking to be noticed. The house is fresh and bright, with beautiful woodwork, thoughtful details and enough color to make it feel happy rather than overly serious. Somehow it manages to feel modern and homey at the same time.

​

And the longer you're there, those first impressions don't wear off. They get stronger. The house feels comfortable. It feels welcoming. It feels like somewhere you could actually live rather than somewhere you're supposed to stand back and admire.

​

Most importantly, nothing inside seems to be fighting with what is outside. The house continually brings your attention back to the water, the palms, the sky and the Florida sunshine. Inside and outside don't feel like two different places here. They feel like one. It's spectacular, but not in the way a house that is trying desperately to be spectacular feels spectacular. There's something much quieter going on here. Maybe the best way to describe it is perfectly understated bliss.

An idea that aged beautifully.

Something else happened in the nearly seventy years since Milton Link began The Moorings: Naples grew up around it. What was once a bold idea on largely undeveloped land is now an established waterfront neighborhood sitting right in the middle of the Naples people come here to enjoy.

​

Old Naples and Fifth Avenue South are just to the south. Venetian Village is nearby to the north. Beaches, restaurants, shopping and so much of what people associate with Naples grew around a neighborhood that was already here.

​

But for all that has changed, the basic idea of The Moorings hasn't really needed to change at all. Beautiful protected water behind your home. The Gulf accessible by boat. A private beach down the street. And Naples surrounding you.

​

The best ideas often seem obvious after somebody else has had them.

​

Maybe this was one of those ideas.

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One became available.

That's why the fact that this home is for sale is really the beginning of the story rather than the end of it.

​

Waterfront homes in The Moorings don't change hands very often. People get them and hold onto them. In many cases, these become the kinds of places families keep for years because eventually the house becomes much more than a house.

​

The kids come down. Then the grandchildren come down. There are mornings at the beach and afternoons on the boat. There are dinners after everyone has had too much sun. There are people wandering in and out of the pool, golf-cart rides, sunsets and all of the little things nobody thinks much about while they're happening.

​

And then twenty years go by.​ At some point, you're no longer talking about a second home or a third home. You're talking about the place where a family's Naples life happened.​ That's a very different thing to buy.​ And it may be one of the reasons homes like this so rarely become available in The Moorings.​ Some homes make you think about owning them. This one makes you think about never wanting to leave.

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HOW TO

Visit This Home.

Attend the open house or schedule a private showing.

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400 Spring Line Drive

Naples, FL

OPEN HOUSE

Sunday, April 26th • 1-4 PM

$9,295,000

4 Bed |  5 Baths | 4,328 Sq Ft.

RECENT STORIES

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Presented by:

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Matthew Vos & Larry Kain

John R. Wood Properties Christie's International

ABOUT

Weekly Open House

Some of the world's most intriguing homes are right here in SWFL. But unless you're actually in the market, you may never get to experience them. Each week we look for the most unique currently listed home story we can find and broadcast that story to SWFL via our digital network.​

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When considering homes, we begin with one question: What’s the story?​ Sometimes it's obvious. Sometimes we don't find it until we dig in a bit. We don't know what we don't know until we dive in. Maybe it's why the home was built. Who built it. Why they chose that particular spot. An incredible view. An unusual history. Or something about the home we've never seen.  Or maybe it's just a good old location, location, location story.  It doesn't necessarily have to be the biggest, newest or most expensive home. It just has to give a reason to say, “You’ve gotta see this one.”  

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